The sculpture is executed in Troubetzkoy’s characteristic impressionistic manner, with lively surface modelling, visible sculptural texture and a spontaneous, almost sketch-like treatment of form. Rather than presenting a polished academic portrait, the artist captures the living presence, posture and personality of the sitter. This approach made Troubetzkoy one of the most distinctive sculptors of the late 19th and early 20th centuries.

Paul Troubetzkoy was a Russian-Italian sculptor from the princely Troubetzkoy family. He became known for portraits, society figures, animals and elegant small bronzes, and worked between Russia, Italy, France and the United States. His sculpture is especially admired for its nervous modelling, natural movement and refined psychological observation.

Material:
Bronze.

Artist:
Paul Troubetzkoy / Paolo Troubetzkoy (1866–1938).

Subject:
Young girl, probably Marie Troubetzkoy.

Signature:
Signed on the base.

Dimensions:
Height: 29 cm.

Condition:
Age-related wear, patina, rubbing, oxidation marks and surface irregularities are present. The condition is shown in the photographs.

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Full description:
`A refined bronze sculpture depicting a ballerina in a dynamic and elegant pose, executed after a model by Paul Troubetzkoy (1866–1938). The dancer is shown balancing on one foot with one leg extended and the arms arranged in a theatrical, expressive movement that conveys grace, rhythm, and spontaneity.

The work reflects the sculptural language associated with Troubetzkoy, whose art is celebrated for its impressionistic modelling, fluid surfaces, and lively sense of movement. Rather than strict academic detail, the composition emphasizes atmosphere and the fleeting beauty of the human figure in motion.

Paul Troubetzkoy was one of the most distinctive sculptors of the late 19th and early 20th centuries. Known internationally for his portraits, animal subjects, and genre figures, he developed a highly personal style that combined realism with impressionistic freedom. Works after his models remain valued by collectors for their elegance and expressive energy.

This sculpture is signed on the base and cast in bronze. It is both a decorative and collectible object, appealing to admirers of dance, Art Nouveau and early modern sculpture.

Material: Bronze.
Dimensions: 33 × 33 × 13 cm.
Signature: Signed on the base.
Condition: Good antique condition with age-related wear and patina.

Historical note: Paul Troubetzkoy (1866–1938), also known as Paolo Troubetzkoy, was an internationally acclaimed sculptor of Russian-Italian background. He achieved recognition in Europe and America for his impressionistic approach to sculpture and his ability to capture movement and character with remarkable freshness.`

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The surface is richly textured, with expressive modelling, irregular planes and a dark brown patina. The sculpture is signed on the base: Paolo Troubetzkoy.

Troubetzkoy was especially admired for his ability to capture movement, character and the immediate impression of life in bronze. His equestrian and animal subjects form an important part of his work, alongside his celebrated portrait statuettes.

Historical note:
Prince Paul Troubetzkoy was born in 1866 and became one of the most distinctive sculptors of the late 19th and early 20th century. He worked between Italy, Russia, France and the United States, and was known for portrait statuettes, animal sculpture and equestrian subjects. The Musée d’Orsay notes his modern, spontaneous sculptural language and his strong interest in animal subjects, while the Troubetzkoy Archive Project records his importance as a leading society portraitist and sculptor of the period.

Material: Bronze.
Technique: Cast bronze, patination.
Signature: Signed on the base.
Dimensions: 44 × 32 × 17 cm.
Condition: The horse’s leg has a small damage. Age-related wear, patina, surface marks and small casting irregularities are present. Condition is shown in the photographs.

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A finely modelled bronze equestrian sculpture based on a model by Paul Troubetzkoy, titled Amazone, depicting Miss Ada Nathan Berra seated on horseback. The rider is shown in an elegant upright pose, wearing a hat and fitted riding dress, while the horse is represented standing calmly with its head lowered.

The work reflects Troubetzkoy’s characteristic impressionistic modelling, with lively, irregular surfaces, expressive forms and a strong sense of movement despite the restrained pose. The bronze has a dark patinated surface with lighter high points caused by rubbing and age.

The sculpture is signed on the base. The present example is described as based on a model by Paul Troubetzkoy; the exact casting period and foundry are not confirmed.

Artist:
Based on a model by Paul Troubetzkoy, 1866–1938.

Title:
Amazone.

Subject:
Equestrian figure of Miss Ada Nathan Berra.

Material:
Bronze.

Technique:
Casting, patination.

Marks:
Signed on the base.

Dimensions:
46 × 42 × 14 cm.

Condition:
Age-related wear, patina, rubbing to raised areas, surface marks and traces of oxidation. The condition is shown in the photographs.

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